Artificial Darkness: An Obscure History of Modern Art and Media

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Remove them from Saved? Noam M.

Darkness has a history and a uniquely modern form. In fact, controlled darkness was essential to the rise of photography and cinema, science and spectacle, and a century of advanced art and film. Artificial Darkness is the first book to historicize and theorize this phenomenon and map its applications across a range of media and art forms.

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In exploring how artificial darkness shaped modern art, film, and media, Noam M. Elcott addresses seminal and obscure works alongside their sites of production—such as photography darkrooms, film studios, and laboratories—and their sites of reception, including theaters, cinemas, and exhibitions. Turning familiar art and film narratives on their heads, Artificial Darkness is a revolutionary treatment of an elusive, yet fundamental, aspect of art and media history.

Table of Contents. Acknowledgments Introduction 1. Artificial Darkness 2.

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Dark Theaters 3. Black Screens 4.


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  • Artificial darkness : an obscure history of modern art and media - Ghent University Library?
  • Noam Elcott Artificial Darkness An Obscure History of Media and Modern Art;

Critical Inquiry. Highly Recommended.

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Thus, the body does not disappear in the darkness but constructs it- self again according to the new rules, like the body of any modern hu- man who has been plugged into the network of production and repro- duction apparatus. In three brief shots we can see how he lets his body permeate the surround- ing darkness using simple turns.

Artificial darkness : an obscure history of modern art and media

Since Schlemmer did not have any formal ballet training, his dance consisted of long steps, short jumps, turns, and expressive gestures — that is to say, figures that anyone moving through the modern city is able to perform. Along with the disappearance of analog film and photography, the dark rooms of photo studios and the black boxes in cinemas are vanishing too.

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On the other hand, the work of contemporary artists such as Tacita Dean, who captured on film the closing of the last Kodak film fac- tory , or Hiroshi Sugimoto, who documents rays of light in abandoned cinemas , brings these obsolete devices back to life. Related Papers.

Artificial Darkness: An Obscure History of Modern Art and Media

Review of Noam M. By Kris Paulsen. By Marketa Uhlirova. Manchester: Manchester University Press, By Noam Elcott. By Seth Barry Watter. Neither Black Nor White.

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